Fudō - Chanoyu Decoded

Chakin and Lotus

Over the past four decades, I have thought that there is a close relationship between the dō-gu, 道具, way-tool, of Chanoyu and Buddhist implements. That which prompts this thought is primarily in the presence of the lotus and its various aspects. It is the means in which one is reborn into Buddhist paradise. Perhaps the most obvious object is the lotus, and, in particular, its seedpod, ren-niku, 蓮肉, lotus-flesh. The conical pod resembles the form of the Ten-moku ja-wan, 天目茶碗, Heaven-eye tea-bowl. The Tenmoku bowl holding tea is placed on the Buddhist altar along with other utensils that are based on the lotus forms. Black lotus...

Furo: Style and Form

Water for making tea is heated in a kettle that is heated over a charcoal fire set in a hearth. The hearth was a standard open square in the floor called an i-ro-ri, 囲炉裏, surround-heart-inner, filled with ash and various implement to support different vessels, which were also hung above the fire. In Chanoyu, the hearth was called a fu-ro, 風炉, wind-hearth. The earliest form of kama was supported directly on the furo. The kama of the Ki-men-bu-ro, 鬼面風炉, Demon-face-wind-hearth, has a quarter-round flange called a hane, 羽, wing, sits on the furo atop an upright perforated collar called a koshiki, 甑, ring support. Such furo...